Sample Publications:

“No Place Like Home: Circumscribing Fantasy in Recent Films for Children” in Children’s Film in the Digital Age: Essays on Audience, Adaptation and Consumer CultureKarin Beeler and Stan Beeler eds. Jefferson, NC: McFarland, Dec. 2014. P. 9 – 27.


“Getting the Doomsday We Deserve: Roland Emmerich’s 2012and the Neoliberal Disaster Film” in Apocalyptic Projections in Science Fiction and Fantasy Film and Literature for 2012 and BeyondAnnette Magid ed. Newcastle, UK: Cambridge Scholars Publishing, 2014, pp. 130 – 146.


“All’s Wells That Ends Wells: Apocalypse and Empire in The War of the Worlds in A Companion to Literature And FilmRobert Stam and Alessandra Raengo eds. Cambridge, MA: Blackwell, 2005. pp. 423 – 447.


 “RockyHorror and Glam Rock” in Reading Rocky Horror: The Rocky Horror Picture Show and Popular CultureJeffrey Weinstock ed. Palgrave MacMillan, 2008. pp. 35 – 49.


“Unfinished Film Symphonies: A Comparative Study of Que Viva Mexico! and It’s All True.” Guy Rochemont trans. Cinemas d’Amerique Latinen. 8. 1996, p. 133-55.

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